![]() Unlike influencer work, in this case he’s on the clock to create - not to be the personality.īack on to production, the struggle of shooting in the Arctic Circle in November is that the sun is VERY limited. “I like it, almost more, and a lot of people might not expect that answer,” Peter says about this kind of work. He’s not here as Peter the YouTuber, he’s Peter the Filmmaker. If there was any question about the work that goes into production, this answers it! What’s interesting about this experience is that unlike traditional ‘influencer’ roles, Peter is here as more of a freelancer. Considering this is literally in the middle of nowhere, generators have to be lugged into power the equipment they need to shoot. The third shoot location involves a cave system with creative lighting. The ‘chase’ shot looks especially epic in this behind the scenes shot. This is no small task, but Peter McKinnon’s team is up for the challenge. Not only does it require multiple flybys for distance shots, but actual shots need to be taken on the plane itself. This time employing a seaplane for shots in the air and water. Even the nighttime shots involve a ton of planning and effort - with their own set of issues, including a smoke alarm triggered by a fog machine.Īs night becomes day, we move on to the next shoot. While Peter makes the end video look polished and easy, the actual work that goes into it is extreme. We cut to some of the shots being captured through the day via drones, boat cameras, and handheld as well. Fortunately, a lucky landing prevents the card from being lost forever. First with a few flying errors, then Peter manages to drop the SD card, almost ending up in the water below. The first shot involves Ooyy on a small boat, using a drone to capture the scene - but things don’t go exactly to plan. For Peter to shoot a mini-doc about Ooyy as he creates a song inspired by the experience! For Ooyy to create a new song inspired by the experience. To catch you up, we brought Peter McKinnon to Norway to meet up with Henrik Olsson aka Ooyy. Not only do you see how that video came together, but you get to see how the creative process works. This raw look at how Peter McKinnon and Ooyy shot their video together will give you insight into film production. You must render a scene using the Renderer before these effects will be visible.If you’ve seen our Chasing Sounds in Norway video, you’ve got to see our behind the scenes of the shoot. Since the 3D View is an OpenGL preview, some advanced features do not show up, such as complex material properties. If you hold down the Alt key, the camera will rotate around a central point. You can also move the camera around by clicking and dragging. However, if you're working in Point, Edge or Polygon mode, you may also click in the 3D View to select parts of objects to edit. Mostly, you'll use the 3D View to position objects (in which case, you would select an object from the Object Browser, choose the Transform tool, and click and drag on one of the transform widgets on the Transform guide shown). When you click inside the 3D View, what happens depends largely on which tool is currently active - you can see this by looking at the lower portion of the Property Editor. light both sides: Turn this on if both sides of all polygons should be lit, not just the ones that face the camera.antialiasing: Turn this on to activate line antialiasing, should your garphics card support it.wireframe: Turn this on to draw the whole scene in wireframe. ![]()
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